Fun with sketches

It's fun to scan in pencil and ink drawings and screw around with them in photoshop.  Sometimes I have no idea what a piece will look like in the end, and that freedom is really refreshing.  I love seeing what I can do with texture to completely change the tone of a piece, and I love how I can make many different images starting from the same source. 

Comics always all the time

I've basically had comics coming out of my ears. Our prof is pretty hardcore. Anyway, here is a sneak peak of the style I'm working in! Inking on bristol, then scanning in and placing texture digitally.

Dust

This past winter session I took this class called Merging Worlds. I guess it was kind of an Illustration 101 crash course. There were a lot of freshman and sophomores in it, which was interesting and different. A lot of people used marker and ball point pen for the first couple of assignments, which was something I hadn't seen in a while. Anyway, I kind of used the course to refine the digital sketching technique I've been using a bit here and there over the past couple of years, and I was very happy with the result. The first successful assignment was a shaded pencil drawing (I KNOW). Pencil always takes me a while, but I really do love the result I can get with it. Pencil is just so pretty. The assignment was to create a human animal hybrid, so I took a photo of my room, took a photo of a deer head from the nature lab, and started piecing things together. The dress is a dress from an old photo that I basically mostly had to paint in photoshop as the light was completely wrong. The arms are my friend Esther. It was a really fulfilling process to plan something out so well and then draw it and have such a complete reference for something that I made up.

This is the reference I worked from.

This is the final drawing. Pencil, 12"x16"

Homecoming

These were a project from mixed media last semester.  I wanted to show a soldier navigating home through different times of day.  I wound up doing sunset and evening.  Morning to come at some point, perhaps?

Watercolor, Goauche and colored pencil on arches cold press

Salem

A couple of old friends came to visit me from the midwest over wintersession break which led to doing a bit of local exploring. On the last day we went to Salem, MA of witch trial fame. It was a pretty drive, and the town itself was pretty cute and, according banners and melting evidence by the roadside, had just recently had a choclate and ice sculpture festival. The highlight, however, was the Salem Witch Museum. It seems there are a number of museums peppered throughout Salem, including a Witch History Museum, a Pirate Museum, and a Witch Dungeon. This one was chosen at random, and I am so happy that we went. It cost nine dollars, but was totally worth it. It consisted of a theatrical portion in a dark room with large, elaborate dioramas with costumed mannequins and spot lights on every wall. Each portion would light for its portion of the story, told in stereo in and old, theatrical style by a deep voiced man. Words cannot express how delightful this was to watch. It was genuinely well done, but had enough cheesiness in it to make it amusing as well. In the center of this dark room was a huge red glowing circle with all the names of the victims of the Salem Witch hysteria written around it. It was a little creepy. The second part was a basic education of what "witches" throughout history have been. This also involved more mannequins (thank god) as well as a strange timeline and and entire wall that had a picture of Joseph McCarthy and the words "Scapegoats" along with several examples (gay community and aids, anyone?) written out in bold letters. I highly recommend a trip to this museum if you are in the area as it is a little odd look at history, and anytime you bring dioramas and and mannequins into the mix history is immediately amazing. This is a close second to the Scotch Whiskey Museum in Edinburgh, which was maybe the best 12 quid I ever spent.

It was also nice to be by the ocean and not completely freeze the way we had earlier that week when we went to Newport, RI. Last but not least, here is a bunny from a while ago for my mixed media class.

                                                         Gouache + Colored Pencil

November

I had so many sheep paintings pinned up in my studio, I thought, why not add another?

Goauche and colored pencil

Growing

So, it's been a little while. One thing I've discovered is that I'm not very good at multitasking. I should get better at that. Anyway, my only excuse is that I got so consumed by the summer (working A LOT at a restaurant and pet sitting) and then the working A LOT of the semester that I simply forgot that I wanted to chronicle things in this way. However, to be totally honest, this past semester has not created much that anyone will want to see. I think that this semester was basically a kick in the ass, one that was direly needed. I think too much and do too little, and the result is a lack of confidence that I felt pretty sharply in contrast to a group of students who have been forced into drawing drawing drawing, just draw don't think so much draw. In a way, I wish that I had had that experience, but regret is a silly and nonconstructive thing. I can only move forward and moving forward entails a keen focus. In all honesty, I've never really kept a sketchbook before, but I have decided that this should become a fairly large part of my process. I imagine so much up in my mind and I can see it so clearly there that when the time comes for me to translate that to imagery I haven't really worked it out physically enough (especially with the new very short time constraints given at RISD) to always convey it successfully. I have learned a lot, and sometimes it was painful, sometimes my lungs were in my stomach, but with a week out to clear my head and get some sleep, I feel very optimistic about my future. I'll post images of the few pieces I feel happy about in a week when I'm back in Providence, as I didn't really manage to get decent pictures as I was readying myself for the airport, but I will leave this amazing webcomic I found by Emily Carroll that really boosted me up creatively as OH MAN it is ATMOSPHERE! It is actually quite similar to the sort of comics I want to do, so I was pretty excited to see it.

For serious, I love the colors, I love the rendering of the characters, I love the attention to detail. I've never really tried to do stylized figures, but my interest in comics is pushing me to try it. I think I'm going to start slow by doing exaggerated facial expression studies and exaggerated body pose studies and then hopefully at some point figure out what my stylized figures will look like. I'm going to guess they're going to be on the more realistic stylized side, but I'd really love to be able to blow out those facial expressions and pump up that drama or humor.

Bon soir!

Happenings

Hmm. Well, a lot has happened. I moved out to Maine in early April, got a couple of jobs, and have managed to pull out of my year and a half long "oh, I just dropped out of the University of Illinois with naught but 12 credits to go, but I'm transferring to finish up at Rhode Island School of Design, but they haven't accepted me yet, well the accepted me last year but I didn't have enough money or where-with-all then, so I have to apply again for this fall" stage of my life. This was not a very fun period, for, as many had pointed out to me, RISD is an exceptionally difficult school to get into, and what will you do if you don't get accepted. Fortunately, I never have to think about that in a literal sense! Now, it's "I'm moving to Providence in early September, and I'm starting school on the 15th, and I'm majoring in Illustration!" Much shorter and less embarrassing and more specific. Also before people find out that I have like, five hundred credits already they aren't all like, WTF are you doing, girl?

So I'm pretty psyched. I haven't gotten much art done this summer for, as my mother warned me, it is difficult to work jobs that have nothing to do with my art and have the mental or physical energy to actually do other work. Especially when it's two jobs. And one of them is in a kitchen. And you're not in your studio environment half the time because the other one involves living like a hobo, moving from house to house, dog sitting. I hope to rectify this next week, however. We'll see. On the plus side, I may get a few days break from ramen next year.

Finally, I noticed that I did not post the cover for the new version of The Sheep Child that I had been working on. While it's not the greatest thing ever, I'm pretty pleased with it because I managed to get the type to interact with the painting I did.

Ultimately one of the things I have to learn at RISD is how to make paintings and drawings and mixed media pieces by hand and then add type elements that look natural and interact well with the images in Adobe CS. I don't think I'll get that in my first year--I'm taking Illustration I, Drawing I, Painting I, and a mandatory art history class my first semester. But all my liberal arts and gen eds transferred, so I won't have to take any liberal arts classes unless I want to, which means more room for studios. Mostly I'm excited that somehow, even though I didn't pick them (the transfer office of a small school is surprisingly bureaucratic) all my classes start after noon and I get a three day weekend. Whoo!

Also of note: thank you to Christina Rodriguez for prompting me to do this far past due post. I got a copy of Storm Codes, and it is gorgeous!

Extra Super Awesomeness

while ago, I posted about Long Ago & Far Away. At the time, I couldn't really find any videos on the internet of it, and I kind of think I wouldn't have known how to embed them anyhow. I'm a little amazed, looking all the way back then, that this blog has been around for three years at this point. Anyway, I was looking back at those old videos again because my younger brother and I decided to watch an old paleontology program that we used to watch all the time when we were little. I randomly looked them up on youtube, and lo and behold, someone's posted quite a few of them, including one of my favorites, Svatohor.



There are three parts in all. It's a pretty intense stop animation. I think I get some of my creepy, aesthetic leanings from having watched these things. My mother said there was also a creepy french circus claymation one, but I have no memory of it. It is actually one of my aspirations to, at some point, do a stop animation with dolls and a set I have designed and made myself. Stop animations have such an interesting atmosphere to them that really adds to stories like this Russian folklore.

Of course, one of my other favorites was the phenomenally done Wind in the Willows.



This was also a stop animation, and it was terribly British in an awesome way. Of course, it features animals that are known only by what species they are (obviously there is not more than ONE Rat, Mole, Toad or Badger. These creatures simply appear and are only men for some reason). Mr. Toad is akin to a Bertie Wooster who hasn't a Jeeves, and Mole, Rat, and Badger are the straight men who smack him in the head from time to time. Like Svatohor, the stop animation lends a great atmosphere. Because a great deal of time was spent on these projects because they are stop animation, it often feels as though their worlds have more depth to them then a good deal of the cgi stuff coming out now. A prime example of this would be Tim Burton's latest version of Alice in Wonderland, which felt exceedingly one note, obvious, and flat to me. Like anything else (for example, mass manufacture over something hand done) there are pluses and minuses, and budget cuts and time saving leads to a loss of attention to detail and an obvious passion in the project.

Finally, I finished my RISD application a week or so ago. We were supposed to send in three drawings: one of a bicycle, one that used both sides of the paper, and one of something from three different perspectives. I am really hoping they haven't gotten any bicycle drawings quite like this yet:



I really like tea.

Heh heh . . .

ood grief, I'm terrible. I suppose it's hard to get back into doing something when you haven't done it for awhile and your brain feels like mush a good deal of the time. At any rate, the least I can do is update with some images from my illustration class last semester as well as some new images from my most recent project, a reworking of the book I made a year or so ago, The Sheep Child, based on a poem by James Dickey. Given formatting issues I have when I try to put strange spaces in things in blogger, I won't even try to type it up, but you can read the full text here. I will more than likely go more into the challenges of illustrating such a thematically rich piece when I've finished, and the book will be available for purchase on Lulu, though I don't think I'm allowed to make any profit off it because I don't have rights to the poem.

Anyway, here is an illustration assignment from last semester. I was supposed to do a pencil drawing of a hand holding an object:



This piece was basically the first serious pencil drawing I'd done in a LONG time. It was nice to remember how to handle the medium, and that I can get some pretty rich results from it, though I think general use in future will be in mixed media pieces. I also got some water soluble pencils, so I'm a bit excited to experiment with those.

Next is a ink drawing of some mushrooms. the assignment was to do a full value drawing in ink of vegetables. Now, I discovered last semester that intricate full value pen and ink drawings are not my cup of tea, but I am glad that I know how to use them, I suppose. Again, such a technique will also probably only be used in a mixed media piece, but I quite like this piece because it only took a couple of hours and though it is full value pen and ink, it is a full value pen and ink that is true to my way of working, which is messy and fairly expressive but also given to moments of specificity and intricacy and detail. Or, at least, that is what I hope I achieve.



I have a few more, of course, but the size of the assignments is just outside the range of my scanner, and I have to piece them together, which is fecking annoying. I've been coveting a larger scanner for not a terrible price on Amazon, but I'll wait until I move to purchase most likely.

Here are the new pages for the book, though I'm posting the at the moment as is and without text because I'm still messing about with that stuff. I think they're both terrifying, but generally people I show them too disagree. Perhaps I've been spending to much time with the text as well as staring at them in the early hours of the morning. They are both a mixture of watercolor and gouache.





I'm only reworking 6 of the pages, and some are collages with old photos, and some are simply abstract paintings, so for the ones I was reworking I wanted to find a place in between the concrete imagery of the photos and the abstract backgrounds. That place is in these slightly stylized lambs and sheep in atmospheric settings.

If anyone randomly would like a high quality giclee print of any of these or any of my other images, please email me (spittingair@gmail.com) so we can chat!

Now I've got to finish one more page, and then its off to the publishers.