Growing

So, it's been a little while. One thing I've discovered is that I'm not very good at multitasking. I should get better at that. Anyway, my only excuse is that I got so consumed by the summer (working A LOT at a restaurant and pet sitting) and then the working A LOT of the semester that I simply forgot that I wanted to chronicle things in this way. However, to be totally honest, this past semester has not created much that anyone will want to see. I think that this semester was basically a kick in the ass, one that was direly needed. I think too much and do too little, and the result is a lack of confidence that I felt pretty sharply in contrast to a group of students who have been forced into drawing drawing drawing, just draw don't think so much draw. In a way, I wish that I had had that experience, but regret is a silly and nonconstructive thing. I can only move forward and moving forward entails a keen focus. In all honesty, I've never really kept a sketchbook before, but I have decided that this should become a fairly large part of my process. I imagine so much up in my mind and I can see it so clearly there that when the time comes for me to translate that to imagery I haven't really worked it out physically enough (especially with the new very short time constraints given at RISD) to always convey it successfully. I have learned a lot, and sometimes it was painful, sometimes my lungs were in my stomach, but with a week out to clear my head and get some sleep, I feel very optimistic about my future. I'll post images of the few pieces I feel happy about in a week when I'm back in Providence, as I didn't really manage to get decent pictures as I was readying myself for the airport, but I will leave this amazing webcomic I found by Emily Carroll that really boosted me up creatively as OH MAN it is ATMOSPHERE! It is actually quite similar to the sort of comics I want to do, so I was pretty excited to see it.

For serious, I love the colors, I love the rendering of the characters, I love the attention to detail. I've never really tried to do stylized figures, but my interest in comics is pushing me to try it. I think I'm going to start slow by doing exaggerated facial expression studies and exaggerated body pose studies and then hopefully at some point figure out what my stylized figures will look like. I'm going to guess they're going to be on the more realistic stylized side, but I'd really love to be able to blow out those facial expressions and pump up that drama or humor.

Bon soir!

Happenings

Hmm. Well, a lot has happened. I moved out to Maine in early April, got a couple of jobs, and have managed to pull out of my year and a half long "oh, I just dropped out of the University of Illinois with naught but 12 credits to go, but I'm transferring to finish up at Rhode Island School of Design, but they haven't accepted me yet, well the accepted me last year but I didn't have enough money or where-with-all then, so I have to apply again for this fall" stage of my life. This was not a very fun period, for, as many had pointed out to me, RISD is an exceptionally difficult school to get into, and what will you do if you don't get accepted. Fortunately, I never have to think about that in a literal sense! Now, it's "I'm moving to Providence in early September, and I'm starting school on the 15th, and I'm majoring in Illustration!" Much shorter and less embarrassing and more specific. Also before people find out that I have like, five hundred credits already they aren't all like, WTF are you doing, girl?

So I'm pretty psyched. I haven't gotten much art done this summer for, as my mother warned me, it is difficult to work jobs that have nothing to do with my art and have the mental or physical energy to actually do other work. Especially when it's two jobs. And one of them is in a kitchen. And you're not in your studio environment half the time because the other one involves living like a hobo, moving from house to house, dog sitting. I hope to rectify this next week, however. We'll see. On the plus side, I may get a few days break from ramen next year.

Finally, I noticed that I did not post the cover for the new version of The Sheep Child that I had been working on. While it's not the greatest thing ever, I'm pretty pleased with it because I managed to get the type to interact with the painting I did.

Ultimately one of the things I have to learn at RISD is how to make paintings and drawings and mixed media pieces by hand and then add type elements that look natural and interact well with the images in Adobe CS. I don't think I'll get that in my first year--I'm taking Illustration I, Drawing I, Painting I, and a mandatory art history class my first semester. But all my liberal arts and gen eds transferred, so I won't have to take any liberal arts classes unless I want to, which means more room for studios. Mostly I'm excited that somehow, even though I didn't pick them (the transfer office of a small school is surprisingly bureaucratic) all my classes start after noon and I get a three day weekend. Whoo!

Also of note: thank you to Christina Rodriguez for prompting me to do this far past due post. I got a copy of Storm Codes, and it is gorgeous!

Extra Super Awesomeness

while ago, I posted about Long Ago & Far Away. At the time, I couldn't really find any videos on the internet of it, and I kind of think I wouldn't have known how to embed them anyhow. I'm a little amazed, looking all the way back then, that this blog has been around for three years at this point. Anyway, I was looking back at those old videos again because my younger brother and I decided to watch an old paleontology program that we used to watch all the time when we were little. I randomly looked them up on youtube, and lo and behold, someone's posted quite a few of them, including one of my favorites, Svatohor.



There are three parts in all. It's a pretty intense stop animation. I think I get some of my creepy, aesthetic leanings from having watched these things. My mother said there was also a creepy french circus claymation one, but I have no memory of it. It is actually one of my aspirations to, at some point, do a stop animation with dolls and a set I have designed and made myself. Stop animations have such an interesting atmosphere to them that really adds to stories like this Russian folklore.

Of course, one of my other favorites was the phenomenally done Wind in the Willows.



This was also a stop animation, and it was terribly British in an awesome way. Of course, it features animals that are known only by what species they are (obviously there is not more than ONE Rat, Mole, Toad or Badger. These creatures simply appear and are only men for some reason). Mr. Toad is akin to a Bertie Wooster who hasn't a Jeeves, and Mole, Rat, and Badger are the straight men who smack him in the head from time to time. Like Svatohor, the stop animation lends a great atmosphere. Because a great deal of time was spent on these projects because they are stop animation, it often feels as though their worlds have more depth to them then a good deal of the cgi stuff coming out now. A prime example of this would be Tim Burton's latest version of Alice in Wonderland, which felt exceedingly one note, obvious, and flat to me. Like anything else (for example, mass manufacture over something hand done) there are pluses and minuses, and budget cuts and time saving leads to a loss of attention to detail and an obvious passion in the project.

Finally, I finished my RISD application a week or so ago. We were supposed to send in three drawings: one of a bicycle, one that used both sides of the paper, and one of something from three different perspectives. I am really hoping they haven't gotten any bicycle drawings quite like this yet:



I really like tea.

Heh heh . . .

ood grief, I'm terrible. I suppose it's hard to get back into doing something when you haven't done it for awhile and your brain feels like mush a good deal of the time. At any rate, the least I can do is update with some images from my illustration class last semester as well as some new images from my most recent project, a reworking of the book I made a year or so ago, The Sheep Child, based on a poem by James Dickey. Given formatting issues I have when I try to put strange spaces in things in blogger, I won't even try to type it up, but you can read the full text here. I will more than likely go more into the challenges of illustrating such a thematically rich piece when I've finished, and the book will be available for purchase on Lulu, though I don't think I'm allowed to make any profit off it because I don't have rights to the poem.

Anyway, here is an illustration assignment from last semester. I was supposed to do a pencil drawing of a hand holding an object:



This piece was basically the first serious pencil drawing I'd done in a LONG time. It was nice to remember how to handle the medium, and that I can get some pretty rich results from it, though I think general use in future will be in mixed media pieces. I also got some water soluble pencils, so I'm a bit excited to experiment with those.

Next is a ink drawing of some mushrooms. the assignment was to do a full value drawing in ink of vegetables. Now, I discovered last semester that intricate full value pen and ink drawings are not my cup of tea, but I am glad that I know how to use them, I suppose. Again, such a technique will also probably only be used in a mixed media piece, but I quite like this piece because it only took a couple of hours and though it is full value pen and ink, it is a full value pen and ink that is true to my way of working, which is messy and fairly expressive but also given to moments of specificity and intricacy and detail. Or, at least, that is what I hope I achieve.



I have a few more, of course, but the size of the assignments is just outside the range of my scanner, and I have to piece them together, which is fecking annoying. I've been coveting a larger scanner for not a terrible price on Amazon, but I'll wait until I move to purchase most likely.

Here are the new pages for the book, though I'm posting the at the moment as is and without text because I'm still messing about with that stuff. I think they're both terrifying, but generally people I show them too disagree. Perhaps I've been spending to much time with the text as well as staring at them in the early hours of the morning. They are both a mixture of watercolor and gouache.





I'm only reworking 6 of the pages, and some are collages with old photos, and some are simply abstract paintings, so for the ones I was reworking I wanted to find a place in between the concrete imagery of the photos and the abstract backgrounds. That place is in these slightly stylized lambs and sheep in atmospheric settings.

If anyone randomly would like a high quality giclee print of any of these or any of my other images, please email me (spittingair@gmail.com) so we can chat!

Now I've got to finish one more page, and then its off to the publishers.

Hokay, here we go again

pparently some people actually look at this, (and by "some people" I mean close friends and family, but whatever) and they keep telling me to update it, so here we go again. Hopefully at some point I will figure out how to make a website and this will just be a link on a larger website where there will also be my full portfolio and a store and such.

I took a couple of classes at NIU this past semester (Illustration I and Watercolor I) which were a good, though in some ways a somewhat painful, learning experience. They were painful mostly because I had to start at 8 am, which, unless you are a morning person, is pretty much horrible, especially since in studio classes you generally have to actually DO things as opposed to sitting mindlessly in a lecture. I also learned how to do full value ink drawings, which, while I'm glad I know how to do it and will probably use parts of the technique in other work, am looking forward to (hopefully) never having to do again. The intense tight line work is not at all my style, which seems to be leaning more and more to water media at the moment. I learned a good deal about watercolor and the things it is capable of doing this semester. It was a little strange because I was in a class with a bunch of students who, while only two years younger than me, made me feel quite old, simply because there is a pretty big difference between a sophomore in college and a senior. It also seemed that I was pretty much alone in really wanting to learn how to use watercolor and in loving the medium. It felt like a lot of people were taking the class because they had to, which, while understandable, was a bit strange after having only taken upper level classes with people who were taking what they wanted to take for the past couple of years.

Though I did about 10 paintings this last semester, there were really only two that I felt brought me forward, only two that really did anything differently from what I'd done before. In the first one, which was done earlier, I was doing a reworking of of a painting from when I was doing My God. This is the orignal from around a year earlier:



Here is the new version, done around two months ago:



In the second one, I used a lot more color and there is more of an awareness of texture. I don't think this is the final version of this work, but one thing I appreciate about watercolor is the fact that all I have to do is staple a wet piece of paper to a board and I'm good to go. If I want to do multiple versions of an idea I can much more easily because, unlike oil, I don't have to worry about making a canvas stretcher, stretching canvas, and gessoing before finally getting started. It's much more pliable in this way.

The second piece was much more personal. Both of my grandparents on my mother's side passed this last year, so I wanted to paint a portrait of them for posterity and for my mother. It had also been awhile since I'd done a portrait, so I guess I also wanted to see if I was still capable, as once I mostly did figure study. I looked through some old photo albums and found a picture that my mother took maybe ten years ago when we were all on Martha's Vineyard together staying at my Aunt's house. While somewhat unconventional, I chose this photograph because it was a time I remembered distinctly, it was a time we were all together, and it feels joyful. It also has figures interacting, but not in an obvious sort of fashion. It doesn't feel pose-y, like many of the other photographs I looked at:



I then tried to mesh tight painting (which I am much better at then tight line drawing) with an abstract color background. I think this painting is a big step forward for me, and I am going to be very interested in working with figures more in the future. I had forgotten how much I enjoy portraiture.



So that's all for now. I will be uploading my adventures in illustration I at some point fairly shortly as well.