Sunday, August 19, 2012

Summertime

        Her mother washed her clothes in the old washer, which spat soap out of a long black tube and rumbled violently on the concrete. After she trudged outside with a pile of moist fabric in one of those five-dollar plastic baskets. Two gnarled poles jutted into the sky. They were connected by shoelaces knotted to shoelaces. Once the shoelaces had been pristine and white in crisp paper on crisp shoes with fresh rubber soles and a fresh leather smell. Now they frayed into their knots and swayed dully in the wind. Clothespins interrupted their drab horizon. Cotton and linen and poly blends hung and swung to and fro with the horizon and the breeze whispered through the holes in the weaves until the damp was blown away and what remained was dry and wrinkled. Clothes dried by the wind are permeated by it. They are duller no matter the detergent you use. 
        Today after her mother took her school uniform that she had dropped ketchup and mustard onto from a lunch full of condiment overestimations. She ventured outdoors in underwear alone and saw the pleated plaid skirt and sweater vest fluttering and dancing. She ran over in bare feet and briefs and stuck her nose into the damp. The cool must filled her and her little heart beat faster and she suddenly wanted it to rain. She gasped at a low rumble of thunder and felt wet on her cheek. The clothes grew heavy and slumped to the grass below. Her briefs clung to her body and she tugged them down her skinny legs. Her limbs slipped in the mud and drew her into a recently seeded field. There was no growth so she was flung into it. She kicked and splashed and squished. The thunder roared a giant lion roar and the rain fell harder and she felt she was so wet that she would never be dry again. 
        It wasn’t ever going to stop raining because Day-oos was angry and she was going to drown but what better way to go? She saw it clearly. Her little body floating upside down in a vast green sea. It was too late to make a raft, too late to apologize or pray. But she was naked as the day she was born and was slippery with Day-oos’ wet earth. 

This is the beginning of my final comic for my comics class this last semester based on a short piece of writing I've had floating around for a couple of years. Below is the corresponding writing. To churn out a lot of drawings fairly quickly, I worked with drybrush india ink on larger pieces of cold press watercolor paper. When it was working for me, I really enjoyed it, and it's a style that I want to explore more and feel that I'm just discovering.

Sunday, April 22, 2012

Napowrimo

So, it's NaPoWriMo -- or National Poetry Writing Month. I haven't really been following it that well as you're supposed to write a poem a day, and I'm lucky if I get enough sleep every night. But last week for my advanced poetry writing class, we had to write seven poems in seven days, and when I was forced to really focus for that time and think about what had been on my mind all day, it really was very useful. I think I'm going to try a little harder to do this in future, perhaps after the semester is over. Hopefully if I get into it over the summer, it will be easier to incorporate into my schedule before the next semester gets into full swing.  At any rate here is one of the shorter ones I churned out late on a Tuesday, the night air whispering against my windows and the radiators hissing their last of the season.


Tuesday

 low breath.
     electrical humming.
             crack, hiss.

train wheels sing,
dark unknown creatures
calling out with the pitch,
the reverberation of
tuning forks made faint
by plaster, glass, wood



some more sketchbook pages, colored pencil.

Wednesday, March 21, 2012

Fun with sketches


It's fun to scan in pencil and ink drawings and screw around with them in photoshop.  Sometimes I have no idea what a piece will look like in the end, and that freedom is really refreshing.  I love seeing what I can do with texture to completely change the tone of a piece, and I love how I can make many different images starting from the same source. 

Tuesday, March 20, 2012

Comics always all the time

I've basically had comics coming out of my ears. Our prof is pretty hardcore. Anyway, here is a sneak peak of the style I'm working in! Inking on bristol, then scanning in and placing texture digitally.

Thursday, February 23, 2012

Dust

This past winter session I took this class called Merging Worlds. I guess it was kind of an Illustration 101 crash course. There were a lot of freshman and sophomores in it, which was interesting and different. A lot of people used marker and ball point pen for the first couple of assignments, which was something I hadn't seen in a while. Anyway, I kind of used the course to refine the digital sketching technique I've been using a bit here and there over the past couple of years, and I was very happy with the result. The first successful assignment was a shaded pencil drawing (I KNOW). Pencil always takes me a while, but I really do love the result I can get with it. Pencil is just so pretty. The assignment was to create a human animal hybrid, so I took a photo of my room, took a photo of a deer head from the nature lab, and started piecing things together. The dress is a dress from an old photo that I basically mostly had to paint in photoshop as the light was completely wrong. The arms are my friend Esther. It was a really fulfilling process to plan something out so well and then draw it and have such a complete reference for something that I made up.

This is the reference I worked from.
This is the final drawing. Pencil, 12"x16"

Wednesday, February 22, 2012

Homecoming



These were a project from mixed media last semester.  I wanted to show a soldier navigating home through different times of day.  I wound up doing sunset and evening.  Morning to come at some point, perhaps?

Watercolor, Goauche and colored pencil on arches cold press

Monday, February 20, 2012

Salem

A couple of old friends came to visit me from the midwest over wintersession break which led to doing a bit of local exploring. On the last day we went to Salem, MA of witch trial fame. It was a pretty drive, and the town itself was pretty cute and, according banners and melting evidence by the roadside, had just recently had a choclate and ice sculpture festival. The highlight, however, was the Salem Witch Museum. It seems there are a number of museums peppered throughout Salem, including a Witch History Museum, a Pirate Museum, and a Witch Dungeon. This one was chosen at random, and I am so happy that we went. It cost nine dollars, but was totally worth it. It consisted of a theatrical portion in a dark room with large, elaborate dioramas with costumed mannequins and spot lights on every wall. Each portion would light for its portion of the story, told in stereo in and old, theatrical style by a deep voiced man. Words cannot express how delightful this was to watch. It was genuinely well done, but had enough cheesiness in it to make it amusing as well. In the center of this dark room was a huge red glowing circle with all the names of the victims of the Salem Witch hysteria written around it. It was a little creepy. The second part was a basic education of what "witches" throughout history have been. This also involved more mannequins (thank god) as well as a strange timeline and and entire wall that had a picture of Joseph McCarthy and the words "Scapegoats" along with several examples (gay community and aids, anyone?) written out in bold letters. I highly recommend a trip to this museum if you are in the area as it is a little odd look at history, and anytime you bring dioramas and and mannequins into the mix history is immediately amazing. This is a close second to the Scotch Whiskey Museum in Edinburgh, which was maybe the best 12 quid I ever spent.
It was also nice to be by the ocean and not completely freeze the way we had earlier that week when we went to Newport, RI. Last but not least, here is a bunny from a while ago for my mixed media class.
                                                         Gouache + Colored Pencil

Saturday, November 19, 2011

November

I had so many sheep paintings pinned up in my studio, I thought, why not add another?


Goauche and colored pencil

Monday, December 27, 2010

Growing

So, it's been a little while. One thing I've discovered is that I'm not very good at multitasking. I should get better at that. Anyway, my only excuse is that I got so consumed by the summer (working A LOT at a restaurant and pet sitting) and then the working A LOT of the semester that I simply forgot that I wanted to chronicle things in this way. However, to be totally honest, this past semester has not created much that anyone will want to see. I think that this semester was basically a kick in the ass, one that was direly needed. I think too much and do too little, and the result is a lack of confidence that I felt pretty sharply in contrast to a group of students who have been forced into drawing drawing drawing, just draw don't think so much draw. In a way, I wish that I had had that experience, but regret is a silly and nonconstructive thing. I can only move forward and moving forward entails a keen focus. In all honesty, I've never really kept a sketchbook before, but I have decided that this should become a fairly large part of my process. I imagine so much up in my mind and I can see it so clearly there that when the time comes for me to translate that to imagery I haven't really worked it out physically enough (especially with the new very short time constraints given at RISD) to always convey it successfully. I have learned a lot, and sometimes it was painful, sometimes my lungs were in my stomach, but with a week out to clear my head and get some sleep, I feel very optimistic about my future. I'll post images of the few pieces I feel happy about in a week when I'm back in Providence, as I didn't really manage to get decent pictures as I was readying myself for the airport, but I will leave this amazing webcomic I found by Emily Carroll that really boosted me up creatively as OH MAN it is ATMOSPHERE! It is actually quite similar to the sort of comics I want to do, so I was pretty excited to see it.




For serious, I love the colors, I love the rendering of the characters, I love the attention to detail. I've never really tried to do stylized figures, but my interest in comics is pushing me to try it. I think I'm going to start slow by doing exaggerated facial expression studies and exaggerated body pose studies and then hopefully at some point figure out what my stylized figures will look like. I'm going to guess they're going to be on the more realistic stylized side, but I'd really love to be able to blow out those facial expressions and pump up that drama or humor.

Bon soir!

Monday, August 2, 2010

Happenings

Hmm. Well, a lot has happened. I moved out to Maine in early April, got a couple of jobs, and have managed to pull out of my year and a half long "oh, I just dropped out of the University of Illinois with naught but 12 credits to go, but I'm transferring to finish up at Rhode Island School of Design, but they haven't accepted me yet, well the accepted me last year but I didn't have enough money or where-with-all then, so I have to apply again for this fall" stage of my life. This was not a very fun period, for, as many had pointed out to me, RISD is an exceptionally difficult school to get into, and what will you do if you don't get accepted. Fortunately, I never have to think about that in a literal sense! Now, it's "I'm moving to Providence in early September, and I'm starting school on the 15th, and I'm majoring in Illustration!" Much shorter and less embarrassing and more specific. Also before people find out that I have like, five hundred credits already they aren't all like, WTF are you doing, girl?

So I'm pretty psyched. I haven't gotten much art done this summer for, as my mother warned me, it is difficult to work jobs that have nothing to do with my art and have the mental or physical energy to actually do other work. Especially when it's two jobs. And one of them is in a kitchen. And you're not in your studio environment half the time because the other one involves living like a hobo, moving from house to house, dog sitting. I hope to rectify this next week, however. We'll see. On the plus side, I may get a few days break from ramen next year.

Finally, I noticed that I did not post the cover for the new version of The Sheep Child that I had been working on. While it's not the greatest thing ever, I'm pretty pleased with it because I managed to get the type to interact with the painting I did.


Ultimately one of the things I have to learn at RISD is how to make paintings and drawings and mixed media pieces by hand and then add type elements that look natural and interact well with the images in Adobe CS. I don't think I'll get that in my first year--I'm taking Illustration I, Drawing I, Painting I, and a mandatory art history class my first semester. But all my liberal arts and gen eds transferred, so I won't have to take any liberal arts classes unless I want to, which means more room for studios. Mostly I'm excited that somehow, even though I didn't pick them (the transfer office of a small school is surprisingly bureaucratic) all my classes start after noon and I get a three day weekend. Whoo!

Also of note: thank you to Christina Rodriguez for prompting me to do this far past due post. I got a copy of Storm Codes, and it is gorgeous!